Materials & Methods
Preservation is craft before it is design. Each material has its own grammar, what it asks of us, and what it permits. Below is the small library of techniques we return to most often.
Our principle
When a sash window can be saved, we save it. When a beam can be sistered, we sister it. Replacement is the last resort, not the first quote.
The techniques
Preservation is craft before it is design. Each material has its own grammar, what it asks of us, and what it permits. A small library of the techniques we return to most often.
Heart pine
Saved when sound, sistered when split, milled to match when missing. Never replaced wholesale.
Lime mortar
Soft enough to give. Hand-mixed by trade to match the original color, hardness, and aggregate.
Leaded glass
Releaded when the cames have failed. Re-stabilized when the panel is whole. Always documented before disassembly.
Original hardware
Catalogued, removed for safekeeping, restored, returned. Replacement only when integrity is lost.
Three-coat plaster
Lath, scratch, brown, finish. Applied by hand to retain the slight irregularity that drywall can never quite match.
Milk paint
Mixed in batch from casein and pigment. Forgiving, breathable, and faithful to the period palette.
Slate & copper
A century-and-a-half roofing system, mended by trade. Worth every dollar more than asphalt for what it returns.
Sash windows
Restored, weather-stripped, and (where appropriate) discreetly storm-glazed. Almost always more energy-efficient than they're given credit for.
The work we take
Historic homes, mills, schoolhouses, churches, and civic buildings, the buildings that gave a town its first character and that, with care, can give it its next chapter too.
Inquiries
We take a small number of new commissions each year. The more you can share at first, age, condition, register status, the better we can know whether we are right for the work.